Messiaen: Quatuor Pour La Fin Du Temps – Et Exspecto Resurrectionem Mortuorum – Bylsma – Haitink

Covers + lossless, Not my Rip


1. Et exspecto resurrectionem mortuorum by Olivier Messiaen
Conductor: Bernard Haitink
Orchestra/Ensemble: Royal Concertgebouw Orchestra
Period: 20th Century
Written: 1964; France

Notes: r c1970
2. Quatuor pour la fin du temps by Olivier Messiaen
Performer: George Pieterson (Clarinet), Reinbert De Leeuw (Piano), Anner Bylsma (Cello),
Vera Beths (Violin)
Period: 20th Century
Written: 1940; Silesia, Poland
Notes: r c1980

Links:

Buchbinder – Beethoven – Piano Sonatas Nos,8, 14, 17, 21, 23, 29 (2CDs) – Teldec

Covers + lossless, Not my Rip


CD 1
1-3 Piano Sonata No.8 Op.13 “Pathetique”
4-6 Piano Sonata No.14 Op.27 No.2 “Moonlight”
7-9 Piano Sonata No.17 Op.31 No.2 “Tempest”
10-12 Piano Sonata No.21 Op.53 “Waldstein-Sonate”

CD 2
1-3 Piano Sonata No.23 Op.57 “Appassionata”
4-7 Piano Sonata No.29 Op.106 “Grosse Sonate fur das Hammerklavier”

Rudolf Buchbinder – piano

Links:

Buchbinder – Brahms – Beethoven – Clarinet Trios – H.Schiff – Meyer – EMI

Covers + lossless, Not my Rip


01. Trio für Klavier, Klarinette und Violoncello a-moll op.114: I. Allegro 1 7:46
02. Trio für Klavier, Klarinette und Violoncello a-moll op.114: II. Adagio 2 7:59
03. Trio für Klavier, Klarinette und Violoncello a-moll op.114: III. Andantino grazioso 4:42
04. Trio für Klavier, Klarinette und Violoncello a-moll op.114: IV. Allegro 4:25
05. Trio für Klavier, Klarinette und Violoncello B-dur op.11 “Gassenhauer-Trio”: I. Allegro con brio 9:13
06. Trio für Klavier, Klarinette und Violoncello B-dur op.11 “Gassenhauer-Trio”: II. Adagio 5:06
07. Trio für Klavier, Klarinette und Violoncello B-dur op.11 “Gassenhauer-Trio”: III. Tema: Pria ch’io l’impegno (Allegretto) 7:00

Links:

DVD – Oistrakh – Mozart: Violin Sonatas – Badura-Skoda – Andante

DVD5 | PAL 720×576, 25 fps | MPEG-2@7000 kbps, LPCM@1536 kbps


1 – 3 Sonata for violin & piano No. 33 in E flat major, K. 481
4 Six Variations for violin & piano in G minor, K.360
5-7 Sonata for violin & piano No. 32 in B flat major, K. 454

Links:
http://filepost.com/files/b463b741/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part01.rar
http://filepost.com/files/ef6d73ac/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part02.rar
http://filepost.com/files/9f961fdf/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part03.rar
http://filepost.com/files/a5dbb57a/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part04.rar
http://filepost.com/files/ec78274c/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part05.rar
http://filepost.com/files/6736a9ma/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part06.rar
http://filepost.com/files/cbe29a21/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part07.rar
http://filepost.com/files/4c194c24/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part08.rar
http://filepost.com/files/47afcb9f/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part09.rar
http://filepost.com/files/67c7am9b/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part10.rar
http://filepost.com/files/947658mc/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part11.rar
http://filepost.com/files/547aaea6/Mozart_-_Violin_Sonatas_-_Skoda_-_Andante_-_DVD.part12.rar

Boulez – Schoenberg: Pelleas und Melisande – Concertos – 2CDs

Covers + lossless, Not my Rip


Disc: 1
1. Pelleas Und Melisande, Symphonic Poem Op.5
2. Vars, Op.31: Intro
3. Vars, Op.31: Theme
4. Vars, Op.31: Var I
5. Vars, Op.31: Var II
6. Vars, Op.31: Var III
7. Vars, Op.31: Var IV
8. Vars, Op.31: Var V
9. Vars, Op.31: Var VI
10. Vars, Op.31: Var VII
11. Vars, Op.31: Var VIII
12. Vars, Op.31: Var IX – Chicago SO/Pierre Boulez C
13. Vars, Op.31: Finale
Disc: 2
1. Vn Con, Op.36: Poco Allegro – Vivace – Pierre Amoyal
2. Vn Con, Op.36: Andante Grazioso – Pierre Amoyal
3. Vn Con, Op.36: Finale: Allegro – Pierre Amoyal
4. Pno Con, Op.42: Andante/Molto Allegro/Adagio/Giocoso (Moderato)/Commodo Grazioso/Stretto – Peter Serkin

Links:

Boulez – Le Domaine Musical – Volume 2 – 4CDs

Covers + lossless, Not my Rip


Berg:
Piano Sonata, Op. 1
Drei Orchesterstücke, Op. 6

Schoenberg:
Verklärte Nacht, Op. 4
3 Pieces for Chamber Orchestra
Pierrot lunaire, Op. 21
Chamber Symphony No. 1 in E major, Op. 9
Serenade, Op. 24
Septet (Suite) in E flat major, Op. 29

Stravinsky:
Concertino for twelve instruments
Three Pieces for Solo Clarinet
Three Pieces for String Quartet
Symphonies of Wind Instruments
Renard
Agon ‘Ballet for Twelve Dancers’

Webern:
Six Pieces for Orchestra Op. 6
Zwei Lieder, Op. 8
Vier Lieder, Op. 12
Cantata No.1 for Soprano Chorus and Orchestra op.29
Cantata No. 2, Op. 31
Variations, Op. 27
Symphony, Op. 21

Orchestra of Domaine musical, Orchester de Südwestrundfunks de Baden-Baden, Pierre Boulez, Hans Rosbaud

Links:
http://filepost.com/files/8c981327/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part01.rar
http://filepost.com/files/6m2d9ae1/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part02.rar
http://filepost.com/files/d51b1b13/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part03.rar
http://filepost.com/files/73c6b417/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part04.rar
http://filepost.com/files/55bba4d9/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part05.rar
http://filepost.com/files/42d77d51/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part06.rar
http://filepost.com/files/c3a9752f/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part07.rar
http://filepost.com/files/1a1a429e/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part08.rar
http://filepost.com/files/829e183a/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part09.rar
http://filepost.com/files/b71f3dbm/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part10.rar
http://filepost.com/files/d1ma56fb/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part11.rar
http://filepost.com/files/36a4f934/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part12.rar
http://filepost.com/files/94adc7bc/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part13.rar
http://filepost.com/files/652aecfa/Boulez_-_Le_Domaine_Musical_-_Volume_2_-_4CDs.part14.rar

Boulez – Le Domaine Musical – Volume 1 – 4CDs + Bonus

Covers + lossless, Not my Rip


CD1:
Karlheinz Stockhausen (1928-2007)
[1] Kontra-Punkte pour 10 instruments, opus 1 (1952-1953)
Solistes du Domaine musical
Pierre Boulez, direction
Luciano Berio (1925-2003)
[2] Serenata I pour flute et 14 instruments (1957)
Severino Gazzeloni, flute
Solistes du Domaine musical
Pierre Boulez, direction
Pierre Boulez
[3]-[11] Le Marteau sans maître pour voix d’alto et 6 instruments (1953-1955/1957)
Jeanne Deroubaix, contralto
Severino Gazzeloni, flute
Georges Van Gucht, xylorimba
Claude Ricou, vibraphone
jean Batigne, percussion
Anton Stingl, guitare
Serge Collot, alto
Pierre Boulez, direction
Olivier Messiaen (1908-1992)
[12] Oiseaux exotiques (1955-1956)
Yvonne Loriod, piano

CD2:
Claude Debussy (1862-1918)
[1] Syrinx pour flûte seule (1912)
Severino Gazzeloni, flute
Edgar Varèse (1883-1965)
[2] Densité 21,5 pour flûte seule (1936/1946)
Severino Gazzeloni, flute
[3] Hyperprism pour petit otchestre et percussion (1922-1923)
Orchestre du Domaine musical
Pierre Boulez, direction
[4]-[6] Octandre pour petit ensemble orchestral (1923)
Jacques Castagner, flute
Claude Maisonneuve, hautbois
Guy Deplus, clarinette
Marcel Naulais, petite clarinette
Andre Rabot, basson
Andre Fournier, cor
Roger Delmotte, trompette
Rene Allain, trombone
Jacques Cazauran, contrebasse
Pierre Boulez, direction
[7] Intégrales pour orchestre et percussion (1923-1925)
Orchestre du Domaine musical
Pierre Boulez, direction
Olivier Messiaen (1908-1992)
[8] Cantéyodjayâ pour piano
[9]-[15] Sept Haïkaï
Yvonne Loriod, piano
Les Percussions de Strasbourg
Orchestre du Domaine musical
Pierre Boulez, direction

CD3:
Pierre Boulez (1925-)
[1]-[3] Structures, Livre I pour 2 pianos (1951-1952)
Alfons et Aloys Kontarsky, pianos
[4] Sonatine pour flute et piano (1946)
Severino Gazzeloni, flute
David Tudor, piano
[5]-[8] Sonate No.2 pour piano (1948)
Yvonne Loriod, piano

CD4:
Maurizio Kagel (1931-)
[1] Sextuor à cordes (1953, 1957)
Solistes du Domaine musical
Pierre Boulez, direction
Luigi Nono (1924-1990)
[2] Incontri pour 24 instruments (1955)
Orchestre du Domaine musical
Pierre Boulez, direction
Hans Werner Henze (1926-)
[3] Concerto per il Marigny pour piano et orchestre (1956)
Yvonne Loriod, piano
Orchestre du Domaine musical
Rudolf Albert, direction
Henry Pousseur (1929-)
[4] Madrigal III pour clarinette, violon, violoncelle, percussions et piano (1962)
Guy Deplus, clarinette
Gerard Jarry, violon
Michel Tournus, violoncelle
Diego Masson, Jean-Charles François percussions
Fabienne Boury, piano
[5] Mobile pour deux pianos (1958)
Alfons et Aloys Kontarsky, pianos
Karlheinz Stockhausen (1928-2007)
[6] Zeitmasse pour flute, hautbois, cor anglais, clarinette et basson, opus 5 (1956)
Jacques Castagner, flute
Claude Maisonneuve, hautbois
PaulTaillefer, cor anglais
Guy Deplus, clarinette
Andre Rabot, basson
[7] Klavierstück VI opus 4/II
David Tudor, piano

CD Bonus:
[1]-[6] Interview with Pierre Boulez by Claude Samuel, September 2005
Pierre Boulez
[7]-[15] Le Marteau sans maître pour voix d’alto et 6 instruments (1953-1955/1957)
Marie-Thérèse Cahn, contralto
Solistes du Domaine musical
Pierre Boulez, direction

Links:
http://filepost.com/files/fb1c47d6/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part01.rar
http://filepost.com/files/bbc67951/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part02.rar
http://filepost.com/files/4c1a84c4/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part03.rar
http://filepost.com/files/bcdm65f1/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part04.rar
http://filepost.com/files/ea89399b/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part05.rar
http://filepost.com/files/8d3eb98f/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part06.rar
http://filepost.com/files/318b7a95/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part07.rar
http://filepost.com/files/d731999d/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part08.rar
http://filepost.com/files/5eb7m244/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part09.rar
http://filepost.com/files/a7469529/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part10.rar
http://filepost.com/files/c2369148/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part11.rar
http://filepost.com/files/5285adfd/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part12.rar
http://filepost.com/files/88e66c37/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part13.rar
http://filepost.com/files/db5ffb69/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part14.rar
http://filepost.com/files/bfdf2342/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part15.rar
http://filepost.com/files/mcmf1mc6/Boulez_-_Le_Domaine_Musical_-_Volume_1_-_4CDs_+_Bonus.part16.rar

Borodin – Symphonies Nos.1-3 – Tjeknavorian

Covers + lossless, Not my Rip


1. Symphony No. 1 in E Flat: Adagio; Allegro; Andantino 12:46
2. Symphony No. 1 in E Flat: Scherzo: Prestissimo; Trio: Allegro 7:28
3. Symphony No. 1 in E Flat: Andantino 6:45
4. Symphony No. 1 in E Flat: Allegro molto vivo 6:14
5. Symphony No. 2 in B Minor: Allegro 7:05
6. Symphony No. 2 in B Minor: Scherzo: Prestissimo; Trio: Allegretto 4:32
7. Symphony No. 2 in B Minor: Andante 8:39
8. Symphony No. 2 in B Minor: Finale: Allegro 6:25
9. Symphony No. 3 in A Minor (unfinished): Moderato assai 9:19
10. Symphony No. 3 in A Minor (unfinished): Scherzo: Vivo; Trio: Moderato 9:41

Links:

Dukas – Bizet – Debussy – Ravel: Musique Francaise Pour Deux Pianos – Beroff – Collard – EMI

Covers + lossless, Not my Rip


The playing is never less than refined, transparent, and fastidious. The sustaining pedal is used sparingly, even in such an early Debussy work as Petite suite. Inner voices come through with rare quality… In 1994, Collard and Bèroff returned to the studios for Rapsodie espagnole, Jeux d’enfants, L’apprenti sorcier, Prélude à l’après-midi d’un faune, and the two Nocturnes. Tempos remain faster for some selections than in many competing versions, but a slight degree of rubato is present in pieces such as “Petit mari, petite femme!” from Jeux d’enfants. Phrase contours are less linear, more supple, to good effect in L’Apprenti sorcier; and Rapsodie espagnole receives one of its best performances on disc… [S]hould you want a duo-piano version of Rapsodie espagnole, this one can’t be bettered.

— Barry Brenesal, FANFARE [11/2005]

1. L’apprenti sorcier by Paul Dukas
Performer: Michel Béroff (Piano), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1897; France
Date of Recording: 1994
Length: 10 Minutes 55 Secs.
Notes: Transcribed: Paul Dukas
2. Jeux d’enfants, Op. 22 by Georges Bizet
Performer: Jean-Philippe Collard (Piano), Michel Béroff (Piano)
Period: Romantic
Written: 1871; France
Date of Recording: 1994
Length: 19 Minutes 45 Secs.
3. Prélude à l’après-midi d’un faune by Claude Debussy
Performer: Jean-Philippe Collard (Piano), Michel Béroff (Piano)
Period: 20th Century
Written: 1892-1894; France
Date of Recording: 1994
Length: 8 Minutes 46 Secs.
Notes: Transcribed: Claude Debussy (1895)
Composition written: France (1892 – 1894).
4. Nocturnes (3) for Orchestra: no 1, Nuages by Claude Debussy
Performer: Jean-Philippe Collard (Piano), Michel Béroff (Piano)
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 1994
Length: 6 Minutes 5 Secs.
Notes: Transcribed: Maurice Ravel
5. Nocturnes (3) for Orchestra: no 2, Fêtes by Claude Debussy
Performer: Michel Béroff (Piano), Jean-Philippe Collard (Piano)
Period: French Impressionist
Date of Recording: 1994
Length: 5 Minutes 28 Secs.
Notes: Transcribed: Maurice Ravel
6. Rapsodie espagnole by Maurice Ravel
Performer: Michel Béroff (Piano), Jean-Philippe Collard (Piano)
Period: 20th Century
Written: 1907-1908; France
Date of Recording: 1994
Length: 15 Minutes 46 Secs.
Notes: Transcribed: Maurice Ravel

Links:

Berman – Schubert – Liszt – Rachmaninov – 2CDs –

Covers + lossless, Not my Rip


Schubert: Piano Sonata No. 21 in B flat major, D. 960 46:03
Liszt: Winterreise (12), transcription for piano (after Schubert, D. 911), S. 561 (LW A50) : Der Leiermann, Op.89 No.24 2:29
Liszt: Winterreise (12), transcription for piano (after Schubert, D. 911), S. 561 (LW A50) : Täuschung, Op.89 No.19 2:06
Liszt: Lieder von Schubert (12), transcription for piano, S. 558 (LW A42) : Gretchen am Spinnrade 4:44
Liszt: Lieder von Schubert (12), transcription for piano, S. 558 (LW A42) : Die junge Nonne, Op.43 No.1 5:09
Liszt: Lieder von Schubert (12), transcription for piano, S. 558 (LW A42) : Ave Maria, Op.52 No.4 6:09
Liszt: Lieder von Schubert (12), transcription for piano, S. 558 (LW A42) : Erlkönig, Op.1 5:37
Liszt: Mephisto Waltz (I & II), for piano No. 1 (Der Tanz in der Dorfschenke), S. 514 (LW A189) 11:21
Liszt: Chapelle de Guilaume Tell, for piano (Années I/1), S. 160/1 (LW A159/1) 6:05
Rachmaninov: Transcription of Beethoven’s “Turkish March” from “Ruins of Athens” for piano 3:05

Links:

Berlioz: Les Nuits d’Ete – Handel: Arias – Lieberson

Covers + lossless, Not my Rip


1. Les nuits d’été, Op. 7 by Hector Berlioz
Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
Conductor: Nicholas McGegan
Orchestra/Ensemble: Philharmonia Baroque Orchestra
Period: Romantic
Written: 1840-1841; France
Date of Recording: Live 11/1995
2. Giulio Cesare, HWV 17: L’angue offeso mai riposa by George Frideric Handel
Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
Conductor: Nicholas McGegan
Orchestra/Ensemble: Philharmonia Baroque Orchestra
Period: Baroque
Written: 1724; London, England
Date of Recording: Live 10/19/1991
3. Ottone, HWV 15: Vieni, o figlio, e mi consola by George Frideric Handel
Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
Conductor: Nicholas McGegan
Orchestra/Ensemble: Philharmonia Baroque Orchestra
Period: Baroque
Written: by 1723; London, England
Date of Recording: Live 10/19/1991
4. Arianna in Creta, HWV 32: Mirami altero in volto by George Frideric Handel
Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
Conductor: Nicholas McGegan
Orchestra/Ensemble: Philharmonia Baroque Orchestra
Period: Baroque
Written: London, England
Date of Recording: Live 10/19/1991
5. Giulio Cesare, HWV 17: La giustizia by George Frideric Handel
Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
Conductor: Nicholas McGegan
Orchestra/Ensemble: Philharmonia Baroque Orchestra
Period: Baroque
Written: 1724; London, England
Date of Recording: Live 10/19/1991
6. Radamisto, HWV 12: Ombra cara di mia sposa by George Frideric Handel
Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
Conductor: Nicholas McGegan
Orchestra/Ensemble: Philharmonia Baroque Orchestra
Period: Baroque
Written: 1712/1720; London, England
Date of Recording: Live 10/19/1991
7. Agrippina, HWV 6: Ogni vento by George Frideric Handel
Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
Conductor: Nicholas McGegan
Orchestra/Ensemble: Philharmonia Baroque Orchestra
Period: Baroque
Written: 1709; Venice, Italy
Date of Recording: Live 10/19/1991
8. Radamisto, HWV 12: Qual nave smarrita trà sirti by George Frideric Handel
Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
Conductor: Nicholas McGegan
Orchestra/Ensemble: Philharmonia Baroque Orchestra
Period: Baroque
Written: 1712/1720; London, England
Date of Recording: Live 10/19/1991

Schubert: Chambers – Richter – Oistrakh – Borodin String Quartet – Olympia


Covers + lossless, Not my Rip

SCHUBERT, Franz (Peter) (1797-1828)
Piano Quintet in A major (The Trout),D667
1. I. Allegro vivace 13:29
2. II. Andante 8:29
3. III. Scherzo. Presto – Trio 4:29
4. IV. Thema. Andantino – Var. I-VI 7:38
5. V. Allegro giusto 10:08
Sonata (Duo) in A major for Violin and Piano, Op.162
6. I. Allegro moderato 8:31
7. II. Scherzo.Presto 4:26
8. III. Andantino 4:24
9. IV. Allegro vivace 5:13

Links:
Olympia_-_Schubert_-_Chambers_-_Oistrakh_-_Borodin.part1.rar
Olympia_-_Schubert_-_Chambers_-_Oistrakh_-_Borodin.part2.rar
Olympia_-_Schubert_-_Chambers_-_Oistrakh_-_Borodin.part3.rar
Olympia_-_Schubert_-_Chambers_-_Oistrakh_-_Borodin.part4.rar

Glenn Gould: Concert de Moscou 12/5/1957

APE+CUE+LOG | Thanks to Sujeito Oculto shared this CD


ALBAN BERG (1885-1935)
[1] SONATE POUR PIANO, OP. 1 – ALLEGRO MODERATO (8’30)
Glenn Gould parle des compositeurs de la nouvelle École de Vienne
Un extrait de la “PASSACAILLE POUR ORCHESTRE” d’Anton Webern (5’18)
ANTON WEBERN (1883-1945)
[2] VARIATIONS POUR PIANO, OP. 27 (4’43)
Glenn Gould parle d’Ernst Krenek (1’25)
ERNST KRENEK (NÉ EN 1900)
EXTRAITS DE LA SONATE POUR PIANO N°3, OP. 62 N 4
[3] ALLEGRETTO PIACEVOLE, ANIMATO E FLESSIBILE (4’48)
[4] ADAGIO (6′)
Glenn Gould s’adresse au public (1’26)
JEAN-SÉBASTIEN BACH (1685-1750)
[5] EXTRAITS DE L’ART DE LA FUGUE, BWV 1080
Contrepoints 1,4,2 (10’15)
[6] EXTRAITS DES VARIATIONS GOLDBERG, BWV 988
Variations 3,18,9,24,10,30 (7’27)
TOTALE 49:52
GLENN GOULD, piano
Traductions en russe de Let Vlasenko
Enregistrement mono réalise au Conservatoire de Moscou le 12 Mai 1957
Dessin de Nicolas SABA
AAD
Le Chant du Monde, LDC 278.799
Distribution harmonia mundi France

Villazon – Tenor

Covers + lossless, Not my Rip


On Tenor, world-renowned tenor Rolando Villazón showcases some of the leading arias, as popularised by operatic legends including The Three Tenors: Pavarotti, Domingo and Carreras. The great arias on this album vary from sophisticated Handel, emotional operatic greats by Verdi and Puccini, through to 20th Century classics from Bernstein s West Side Story and Lloyd Webber s Phantom of the Opera.

1. O Sole Mio – Di Capua
2. Maria From West Side Story – Bernstein
3. Libiamo Ne’lieti Calici (Brindisi) From La Traviata – Verdi
4. La Donne E Mobile – From Rigoletto – Verdi
5. Ombra Mai Fù – From Serse – Handel
6. The Impossible Dream – From Man Of La Mancha – Leigh
7. O Soave Fanciulla – From La Bohème – Puccini
8. Music Of The Night – From The Phantom Of The Opera – Lloyd Webber
9. Una Furtiva Lagrima – From L’elisir D’amore – Donizetti
10. Questo O Quella – From Rigoletto – Verdi
11. Che Gelida Manina – From La Bohème – Puccini
12. Cielo E Mar – From La Gioconda – Ponchielli
13. Lunge Da Lei – De’ Miei Bollenti Spiriti – From La Traviata – Verdi
14. Ciel E Terra – From Tamerlano – Handel

Rattle – Bernstein: Wonderful Town – EMI

Covers + lossless, Not my Rip


1. Overture (Прослушать)
2. Christopher Street
3. Ohio
4. Conquering New York
5. One Hundred easy Ways
6. What a waste
7. A Little Bit In Love
8. Pass the Football
9. Conversation Piece
10. A Quiet Girl
11. Conga!
12. Entr’acte
13. Ny Darlin’ Eileen
14. Swing!
15. Quiet Incidental
16. Reprise: Ohio
17. It’s Love
18. Ballet at the Village Vortex
19. Wrong Note Rag
20. Reprise: It’s Love

Kim Criswell (sop) Ruth;
Audra McDonald (sop) Eileen;
Thomas Hampson (bar) Baker;
Brent Barrett (sngr) Wreck;
Rodney Gilfry (bar) Guide, First Editor, Frank;
Carl Daymond (bar) Second Editor, Chick Clark;
Timothy Robinson (ten) Lonigan; Michael Dore (bass) First Man, Cadet, Third Cop, Villager;
Lynton Atkinson (ten)
Second Man, Second Cop;
Simone Sauphanor (sngr) First Girl;
Melanie Marshall (mez) Second Girl;
Kimberly Cobb (sngr) Violet;
Robert Fardell (sngr) First Cop;
Birmingham Contemporary Music Group (Sir Simon Rattle)

Schoenberg: Orchestral Works – 2011 – Rattle – EMI

Covers + lossless, thanks original torrent uploader


01 – Brahms-Allegro
02 – Brahms-Intermezzo
03 – Brahms-Andante con moto
04 – Brahms-Rondo alla Zingarese
05 – Accompanying Music to a Film Scene
06 – Chamber Symphony op.9b-Langsam
07 – op.9b-[Bar 133]
08 – op.9b-[Bar 368]
09 – op.9b-[Bar 467]

Mozart: Arias – Kozena – Rattle – Archiv

Covers + lossless, Not my Rip


1-2 Le nozze di Figaro, opera, K. 492
3 Ch’io mi scordi di te…Non temer, amato bene, recitative and aria for soprano, piano & orchestra, K. 505
4-6 Cosi fan tutte, opera, K. 588
7 La Clemenza di Tito, opera, K. 621
8 Idomeneo, re di Creta, opera, K. 366
9 Vado, ma dove?, aria for soprano & orchestra, K. 583
10 Le nozze di Figaro (The Marriage of Figaro), opera, K. 492
11 Alma grande e nobil core, aria for soprano & orchestra, K. 578
12 Le nozze di Figaro (The Marriage of Figaro), opera, K. 492

Please contact author for link download. Thanks

Mahler: Symphony No.9 – Barshai – BIS

Covers + lossless, Not my Rip


1. Symphony no 9 in D major by Gustav Mahler
Conductor: Rudolf Barshai
Orchestra/Ensemble: Moscow Radio Symphony Orchestra
Period: Romantic
Written: 1908-1909; Austria
Date of Recording: 04/13/1993
Venue: Live Great Hall, Tchaikovsky Conserv, Moscow
Length: 78 Minutes 30 Secs.

Links:

Mozart: Symphony No.41 – Haffner Serenade – Barshai – Olympia

Covers + lossless, Not my Rip


Symphony on Haffner`s Serenade in D major, op. K.250 (248 b)
01. Allegro maestoso
02. Menuetto galante (Menuetto 1)
03. Andante
04. Menuetto (Menuetto 2)
05. Adagio. Allegro assai

Symphony No. 41 “Jupiter” in C major, op. K.551
06. Allegro vivace
07. Andante cantabile
08. Menuette & Trio
09. Finale. Molto allegro

Moscow Chamber Orchestra – Rudolf Barshai

Links:

Backhaus – Brahms: Piano Concertos – Piano Works – 2CDs – Boult – Bohm – EMI

Covers + lossless, Not my Rip


1. Concerto for Piano no 1 in D minor, Op. 15 by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Conductor: Sir Adrian Boult
Orchestra/Ensemble: BBC Symphony Orchestra
Period: Romantic
Written: 1854-1858; Germany
Date of Recording: 11/28/1932
Venue: EMI Abbey Road Studio no 1, London, UK
Length: 32 Minutes 50 Secs.
2. Concerto for Piano no 2 in B flat major, Op. 83 by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Conductor: Karl Böhm
Orchestra/Ensemble: Saxon State Orchestra
Period: Romantic
Written: 1878-1881; Austria
Date of Recording: 06/1939
Venue: Dresden, Germany
Length: 45 Minutes 2 Secs.
3. Rhapsodies (2) for Piano, Op. 79 by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1879; Austria
Date of Recording: 12/05/1932
Venue: EMI Abbey Road Studio No. 3, London
Length: 12 Minutes 9 Secs.
4. Fantasies (7) for Piano, Op. 116: no 1, Capriccio in D minor by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 01/1936
Venue: EMI Abbey Road Studio No. 3, London
Length: 1 Minutes 53 Secs.
5. Fantasies (7) for Piano, Op. 116: no 2, Intermezzo in A minor by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 01/1936
Venue: EMI Abbey Road Studio No. 3, London
Length: 2 Minutes 45 Secs.
6. Fantasies (7) for Piano, Op. 116: no 4, Intermezzo in E major by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 01/1936
Venue: EMI Abbey Road Studio No. 3, London
Length: 4 Minutes 16 Secs.
7. Pieces (4) for Piano, Op. 119: no 1, Intermezzo in B minor by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 01/1936
Venue: EMI Abbey Road Studio No. 3, London
Length: 3 Minutes 43 Secs.
8. Pieces (4) for Piano, Op. 119: no 2, Intermezzo in E minor by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 01/1936
Venue: EMI Abbey Road Studio No. 3, London
Length: 4 Minutes 14 Secs.
9. Pieces (4) for Piano, Op. 119: no 3, Intermezzo in C major by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 01/1936
Venue: EMI Abbey Road Studio No. 3, London
Length: 1 Minutes 23 Secs.
10. Hungarian Dances (21) for Piano 4 hands, WoO 1: no 6 in D flat major by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1868; Austria
Date of Recording: 04/01/1933
Venue: EMI Abbey Road Studio No. 3, London
Length: 2 Minutes 45 Secs.
11. Hungarian Dances (21) for Piano 4 hands, WoO 1: no 7 in A major by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1868; Austria
Date of Recording: 04/01/1933
Venue: EMI Abbey Road Studio No. 3, London
Length: 1 Minutes 33 Secs.
12. Pieces (8) for Piano, Op. 76: no 2, Capriccio in B minor by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1878; Austria
Date of Recording: 12/05/1932
Venue: EMI Abbey Road Studio No. 3, London
Length: 2 Minutes 45 Secs.
13. Pieces (8) for Piano, Op. 76: no 7, Intermezzo in A minor by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1878; Austria
Date of Recording: 12/05/1932
Venue: EMI Abbey Road Studio No. 3, London
Length: 2 Minutes 9 Secs.
14. Pieces (8) for Piano, Op. 76: no 8, Capriccio in C major by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1878; Austria
Date of Recording: 12/05/1932
Venue: EMI Abbey Road Studio No. 3, London
Length: 2 Minutes 38 Secs.
15. Intermezzi (3) for Piano, Op. 117: no 1 in E flat major by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 01/09/1936
Venue: EMI Abbey Road Studio No. 3, London
Length: 4 Minutes 35 Secs.
16. Intermezzi (3) for Piano, Op. 117: no 2 in B flat minor by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 01/09/1936
Venue: EMI Abbey Road Studio No. 3, London
Length: 3 Minutes 36 Secs.
17. Pieces (6) for Piano, Op. 118 by Johannes Brahms
Performer: Wilhelm Backhaus (Piano)
Period: Romantic
Written: 1892; Austria
Date of Recording: 12/05/1932
Venue: EMI Abbey Road Studio No. 3, London
Length: 17 Minutes 17 Secs.

Links:

Schumann: The Symphonies – Barenboim – Teldec

Covers + lossless, Not my Rip


Schumann’s symphonies have persistently been plagued by indifferent audiences, bewildered performers, wrong-headed judgments and chronological confusion. The First, Op. 38, called “Spring” for its buoyancy, vigor and exuberance, was written in 1841, as was the next; however, substantially revised in 1852, this is now known as No. 4 Op. 120. (Though rarely performed, the original version is well worth hearing.) The symphony known as the Second, Op. 61, was begun in 1845, laid aside for health reasons and finished the following year. No. 3, Op. 97, the “Rhenish,” is perhaps the most popular; written in 1850, it evokes the Rhine, the “sacred river” Schumann loved, celebrated in song, and finally turned to for deliverance from unendurable despair. Although loyal to his classical roots, Schumann gave his innovative originality free rein in the last two symphonies: the Third has five movements, the thematically cyclical Fourth is played without a break, and he discarded the traditional Italian tempo markings for German ones.

The performances recorded here should dispel the hoary fallacy that Schumann was a miniaturist incapable of handling large forms and inept at orchestration. The Staatskapelle, Berlin’s oldest orchestra, has these symphonies in its bloodstream; as the Opera’s pit band, its glorious sound is undoubtedly influenced by working with singers: free of sharp edges and attacks, sustained, warm, and mellow. Barenboim, its Music Director since 1992, approaches the symphonies with profound intellectual understanding and emotional affinity, combining a sense of structure, coherence, irresistible sweep and grandeur with loving attention to expressive detail. Carefully balancing sonorities, he brings out usually hidden lines and voices, proving that Schumann’s orchestration, often called turgid, is in fact transparent and full of color. The first symphony’s triumphant opening fanfare immediately takes us deep into Schumann’s world of ardent, poetic romanticism, spontaneous imagination, mercurial mood changes: the sometimes gracious, sometimes ominous, spooky Scherzos, the vivacious, jubilant corner movements, the achingly beautiful slow ones. This is an indispensable record. –Edith Eisler

Links: